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c. 1445 – May 17, 1510. Italian painter.

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Picknell, William Lamb
The Grand Canal with San Giorgio Maggiore

ID: 19877

Picknell, William Lamb The Grand Canal with San Giorgio Maggiore
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Picknell, William Lamb The Grand Canal with San Giorgio Maggiore


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Picknell, William Lamb

American, 1853-1897 was a United States painter of landscapes, coastal views, and figure genres, known for his rapid painting style. He was born in Hinesburg, Vermont and died in Marblehead,   Related Paintings of Picknell, William Lamb :. | Le Marabout (mk35) | Portrait of a Young Man kk | La Barbarina | The new necklace | Blooming Apple trees |
Related Artists:
Orazio Riminaldi
Italian painter b. 1593, Pisa, d. 1630, Pisa
anna dorothea lisiewska therbusch
Lisiewski, Anna Dorothea (von) / Lisiewska-Therbusch, Anna Dorothea / Liszeswka, Anna Dorothea. Anna Dorothea Therbusch (somtetimes Anna Dorothea Therbusch-Lisiewska, or Lisiervska/Lisziewska/Liesiewka (1721-1782) was a German painter.
LOO, Louis Michel van
French painter (b. 1707, Toulon, d. 1771, Paris). Painter, son of Jean-Baptiste van Loo. He trained with his father in Turin and Rome, later attending the courses of the Academie Royale in Paris. He received the institution's first prize for painting in 1726, and in 1728, accompanied by his brother, Francois, and his uncle, Carle, returned to Rome where he was associated with Francois Boucher. On his way back to France, he stayed for a time in Turin, painting portraits of the royal family of Sardinia, the Duke and Duchess of Savoy. In Paris he was admitted to membership of the Academie Royale and in 1735 was appointed assistant teacher at the Academie, becoming renowned as a specialist in portrait painting. Most of his portraits from this period are half-length, combining ideas from Hyacinthe Rigaud's later work with other more natural and innovative ones. On the death of Jean Ranc, Philip V of Spain asked Rigaud to suggest a substitute, and van Loo was proposed. He arrived in Madrid in 1737 and remained there as Pintor de la Corte until 1752, responding with modern aesthetic ideas to the demands of the Spanish monarchs for pomp and splendour. He carried out court commissions but devoted part of his time to teaching, his pupils often becoming studio assistants. He also took an active part in meetings held over a number of years to establish the Real Academia de Bellas Artes de S Fernando, for which he produced the canvas, the Education of Cupid by Venus and Mercury






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